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In 1798 Robert Morris-"financier of the American Revolution," confidant of George Washington, former U.S. senator-plunged from the peaks of wealth and prestige into debtors' prison and public contempt. How could one of the richest men in the United States, one of only two founders who signed the Declaration of Independence, the Articles of Confederation, and the Constitution, suffer such a downfall? This book examines for the first time the extravagant Philadelphia town house Robert Morris built and its role in bringing about his ruin. Part biography, part architectural history, the book recounts Morris's wild successes as a merchant, his recklessness as a land speculator, and his unrestrained passion in building his palatial, doomed mansion, once hailed as the most expensive private building in the United States but later known as "Morris's Folly." Setting Morris's tale in the context of the nation's founding, this volume refocuses attention on an essential yet nearly forgotten American figure while also illuminating the origins of America's ongoing, ambivalent attitudes toward the superwealthy and their sensational excesses.
Founding Fathers of the United States --- Finance, Personal. --- Homes and haunts --- Morris, Robert,
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Art criticism --- Art --- Arts --- Criticism --- Analysis, interpretation, appreciation --- ed. by Annette Michelson, Rosalind Krauss, Douglas Crimp and Joan Copjec --- October --- Nadar --- Brown Trisha --- Handke Peter --- kunst --- twintigste eeuw --- kunsttheorie --- lichamelijkheid --- mimesis --- Eisenstein Sergei --- Pasolini Pier Paolo --- gender studies --- Haacke Hans --- Buren Daniel --- tentoonstellingen --- fotografie --- psychoanalyse --- feminisme --- Serra Richard --- Morris Robert --- Rodin Auguste --- Bataille Georges --- 7.01 --- Art criticism. --- Arts, Modern --- October (Cambridge, Mass.)
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The book begins in the late eighteenth century, when a systematic formal distinction began to be made between painting and sculpture. Following changing attitudes toward sculpture through the nineteenth and twentieth centuries, Potts analyses for the first time the radical transformation that has occurred not only in the nature of sculptural works but also in their display and reception. He focuses on a broad range of texts by major writers who have in some way been obsessed by sculpture, including Johann Gottfried Herder, Charles Baudelaire, Walter Pater, Rainer Maria Rilke, Carl Einstein, Adrian Stokes and Clement Greenberg, and such artist-theorists as Adolf Hildebrand and Donald Judd.Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art.
Modernist --- art theory --- sculpture [visual work] --- figurative art --- Sculpture --- Minimal --- Nauman, Bruce --- Caro, Anthony --- Maillol, Aristide --- Canova, Antonio --- Andre, Carl --- Serra, Richard --- Chamberlain, John --- Judd, Donald --- González, Julio --- Giacometti, Alberto --- Carpeaux, Jean-Baptiste --- Smithson, Robert --- Newman, Barnett --- Bourgeois, Louise --- Hesse, Eva --- Whiteread, Rachel --- Rodin, Auguste --- Morris, Robert --- Smith, David --- Baselitz, Georg --- Duchamp, Marcel --- Moore, Henry --- LeWitt, Sol --- Hepworth, Barbara --- Tatlin, Vladimir --- Brancusi, Constantin --- Beeldhouwkunst ; theorie --- Kunsttheorie ; kunstbeschouwing ; beeldhouwkunst --- Beeldhouwkunst ; Antonio Canova --- Essays ; Rainer Maria Rilke ; over Rodin --- Beeldhouwkunst ; 20ste eeuw ; Constantin Brancusi --- Kunstfilosofie ; Maurice Merleau-Ponty --- Beeldhouwkunst ; installaties ; Louise Bourgeois --- 73.01 --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Appreciation. --- sculpture [visual works] --- Appreciation
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Adéagbo, Georges ; Andre, Carl ; Antoni, Jantine ; Balkin, Amy ; Barrio, Artur ; Barry, Robert ; Chadwick, Helen ; Chin, Mel ; De Vries, Herman ; Dion, Mark ; Durham, Jimmie ; EXPORT, VALIE; Feyzdjou, Chohreh ; Hazoumè, Romuald ; Kabakov, Ilya ; Kelley, Mike ; Leonard, Zoe ; McCall, Anthony ; Margolles, Teresa ; Morris, Robert ; ORLAN ; Pistoletto, Michelangelo ; Sehgal, Tino ; Shimamoto, Shozo ; Sierra, Santiago : Smithson, Robert ; Starling, Simon ; Thek, Paul ; Vanouse, Paul ; Ukeles, Laderman Mierle ; Walker, Kara.
hedendaagse kunst --- art [fine art] --- Contemporary [style of art] --- thema's in de kunst --- Art --- materials [matter] --- anno 2000-2099 --- Art, Modern --- Artists' materials --- Themes, motives --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.023 --- Kunsttheorie ; materialiteit ; transmaterialiteit ; dematerialisering --- Kunstmaterialen --- Kunst ; grondstoffen, materiaalkeuze --- Art moderne --- Matériau --- Analyse de l'art --- Art contemporain --- Andre, Carl --- Antoni, Janine --- Balkin, Amy --- Barry, Robert --- Dion, Mark --- Durham, Jimmie --- Kabakov, Ilya --- Kelley, Mike --- Leonard, Zoe --- Morris, Robert --- Pistoletto, Michelangelo --- Sierra, Santiago --- Smithson, Robert --- Starling, Simon --- Thek, Paul --- Walker, Kara --- Didi-huberman, Georges --- Ingold, Tim --- Lyotard, Jean-François --- Kunst --- kunst --- materialen --- vormloosheid --- vormleer --- vorm --- lichamelijkheid --- materialiteit --- materialisme --- materialenleer --- 130.2 --- 7.039 --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- materials [substances] --- Smithson, Robert, 1938-1973 --- art [discipline]
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Nauman, Bruce --- Davis, Stuart --- Flavin, Dan --- Murphy, Gerald --- Artschwager, Richard --- Chamberlain, John --- Stella, Frank --- Andre, Carl --- Warhol, Andy --- Turrell, James --- Calder, Alexander --- Kelley, Mike --- Oldenburg, Claes --- Demuth, Charles Henry --- Weiner, Lawrence --- Basquiat, Jean-Michel --- Martin, Agnes --- Hopper, Edward --- Kooning, de, Willem --- Sheeler, Charles --- Byars, James L. --- Graham, Dan --- Rauschenberg, Robert --- Reinhardt, Ad --- Rosenquist, James --- Johns, Jasper --- Still, Clyfford --- Kelly, Ellsworth --- Viola, Bill --- Rothko, Mark --- Newman, Barnett --- Dove, Arthur Garfield --- Judd, Donald --- Ryman, Robert --- Puryear, Martin --- Covert, John R. --- Borofsky, Jonathan --- Lichtenstein, Roy --- Hill, Gary --- Morris, Robert --- Twombly, Cy --- Stella, Joseph --- Hammons, David --- Marden, Brice --- Schnabel, Julian --- Mangold, Robert Peter --- Guston, Philippe --- Hartley, Marsden --- Gober, Robert --- Gorky, Arshile --- LeWitt, Sol --- Cornell, Joseph --- Pollock, Jackson --- Ruscha, Ed --- Haring, Keith --- Kline, Franz --- Kunst ; Verenigde Staten ; 20ste eeuw --- Abstract Expressionisme --- Intermedia ; happenings --- Minimal Art --- Antiform --- Land Art --- Body Electric --- 7.038(7/8) --- 73.038(7/8) --- 75.038(7/8) --- Kunstgeschiedenis ; 1950 - 2000 ; Amerika --- Beeldhouwkunst ; 1950 - 2000 ; Amerika --- Schilderkunst ; 1950 - 2000 ; Amerika --- Edited by Christos M.Joachimides and Norman Rosenthal ; Co-ordinating Editor David Anfam ; Essays by Brooks Adams, David Anfam, Richard Armstrong ... [et al.] --- Byars James Lee --- Calder Alexander --- Chamberlain John --- Covert John --- Davis Stuart --- de Kooning Willem --- Demuth Charles --- Dove Artur --- Flavin Dan --- Francis Sam --- Gobe Robert --- Guston Philip --- Hammons DAvid --- Haring Keith --- Hartley Marsden --- Hesse Eva --- Hill Gary --- Holzer Jenny --- Hopper Edward --- Johns Jasper --- Judd Donald --- Kelly Ellsworth --- Kline Franz --- Lichtenstein Roy --- Mangold Robert --- Murphy Gerald --- Nauman Bruce --- O'Keeffe Georgia --- Pollock Jackson --- Puryear Martin --- Reinhardt Ad --- Rosenquist James --- Rothko Mark --- Serra Richard --- Sheeler Charles --- Smith David --- Stella Frank --- Stella Joseph --- Still Clyfford --- Turrell James --- Twombly Cy --- Viola Bill --- Warhol Andy --- Art --- art [fine art] --- Serra, Richard --- Holzer, Jenny --- Francis, Sam --- Hesse, Eva --- Koons, Jeff --- Smith, David --- Sherman, Cindy --- Duchamp, Marcel --- O'Keeffe, Georgia --- Man Ray --- anno 1900-1999 --- United States --- Art [American ] --- Exhibitions --- Art [Modern ] --- 20th century --- Photography --- Painting [American ] --- History --- Sculpture [American ] --- kunst --- twintigste eeuw --- Verenigde Staten --- schilderkunst --- beeldhouwkunst --- Andre Carl --- Artschwager Richard --- Basquiat Jean-Michel --- Borofsky Jonathan --- Cornell Joseph --- Duchamp Marcel --- Graham Dan --- Kelley Mike --- Koons Jeff --- LeWitt Sol --- Marden Brice --- Martin Agnes --- Morris Robert --- Newman Barnett --- Oldenburg Claes --- Rauschenberg Robert --- Ray Man --- Ruscha Edward --- Ryman Robert --- Schnabel Julian --- Sherman Cindy --- Weiner Lawrence --- 7.038 --- Covert, John --- Fluxus --- Conceptuele kunst --- Sculpture --- Painting --- sculpture [visual works] --- easel paintings [paintings by form] --- United States of America --- paintings [visual works]
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motion --- Sculpture --- light art --- sculpting --- Tsai, Wen Ying --- Maillol, Aristide --- Gabo, Naum --- Larche, Raoul-François --- Calder, Alexander --- Laurens, Henri --- Vantongerloo, Georges --- González, Julio --- Giacometti, Alberto --- Pevsner, Antoine --- Moholy-Nagy, László --- Boccioni, Umberto --- Rickey, George --- Rodin, Auguste --- Duchamp-Villon, Raymond --- Rodtschenko, Alexander Michajlowitsch --- Degas, Edgar --- Malevitsj, Kasimir --- LeWitt, Sol --- Tatlin, Vladimir --- Brancusi, Constantin --- anno 1900-1999 --- beeldhouwkunst --- 20ste eeuw --- Sculpture, Modern --- -73 --- Beeldhouwkunst ; kunsttheorie ; 20ste eeuw --- 73.038 --- 73.01 --- Hans Joachim Albrecht --- kunst --- twintigste eeuw --- ruimte --- waarneming --- waarnemingspsychologie --- kunsttheorie --- Archipenko Alexander --- Arman --- Arp Hans --- Arp Jean --- Baertling Olle --- Barlach Ernst --- Calder Alexander --- Boccioni Umberto --- Brancusi Constantin --- Degas Edgar --- Duchamp-Villon Raymond --- Gabo Naum --- Giacometti Alberto --- Gonzalez Julio --- von Hildebrand Adolf --- Judd Donald --- Laurens Henri --- LeWitt Sol --- Maillol Aristide --- Malevich kazimir --- Moholy-Nagy Laszlo --- Moore Henry --- Morris Robert --- Pevsner Antoine --- Picasso Pablo --- Rodin Auguste --- Tatlin Vladimir --- Tsai Wen-Ying --- Vantongerloo Georges --- 73.036 --- Modern sculpture --- Beeldhouwkunst. Sculptuur --- Beeldhouwkunst ; 1950 - 2000 --- Beeldhouwkunst ; theorie, filosofie, esthetica --- 73 Beeldhouwkunst. Sculptuur --- 73 --- 73 Plastic arts --- Plastic arts --- Larche, François-Raoul --- Sculpture, Modern - 20th century --- sculptuur. --- 20ste eeuw. --- sculptuur
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Art --- Minimal --- minimal art --- anno 1960-1969 --- Art, American --- Minimal art --- James Meyer --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- galeries --- kunstkritiek --- neon --- minimalisme --- twintigste eeuw --- Verenigde Staten --- André Carl --- Baer Jo --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Bourdon David --- Burn Ian --- Chave Anna C. --- Chicago Judy --- Coplans John --- Crimp Douglas --- De Maria Walter --- Di Suvero Mark --- Flavin Dan --- Foster Hal --- Fried Michael --- Glaser Bruce --- Greenberg Clement --- Gregor Harold --- Hesse Eva --- Humphrey Ralph --- Judd Donald --- Kramer Hilton --- Krauss Rosalind --- Leider Philip --- LeWitt Sol --- Lippard Lucy R. --- McCracken John --- McShine Kynaston --- Mangold Robert --- Marden Brice --- Martin Agnes --- Merleau-Ponty Maurice --- Meyer Ursula --- Michelson Annette --- Mogenson Paul --- Morris Robert --- Novros David --- Rainer Yvonne --- Rose Barbara --- Rosenblum Robert --- Ryman Robert --- Serra Richard --- Smith Tony --- Smithson Robert --- Stella Frank --- Truitt Anne --- Wagstaff Jr. Samuel J. --- 7.038 --- art history --- Chave Anna C --- Lippard Lucy R --- Wagstaff Jr. Samuel J --- Art, Minimal --- Minimalism (Art) --- Minimalist art --- Systematic painting --- Art, Abstract --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- United States --- Art [Modern ] --- 20th century
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kunstfilosofie --- hedendaagse kunst --- moderne kunst --- Art --- kunst --- objectkunst --- assemblages --- ready-mades --- junk art --- collages --- kubisme --- Duchamp Marcel --- Dadaisme --- surrealisme --- nieuw realisme --- pop art --- conceptuele kunst --- Alvermann Hans Peter --- Antes Horst --- Arp Jean --- Baargeld J.T. --- Barker Clive --- Bellmer Hans --- Beuys Joseph --- Braque Georges --- Breton André --- Brock Bazon --- Brodwolf Jürgen --- Brunner Edy --- César --- Chamberlain John --- Christo --- Cornell Joseph --- Dali Salvador --- Dibbets Jan --- Dine Jim --- Eggenschwiler Franz --- Ernst Max --- Ferrer rafael --- Francken Ruth --- Freddie Wilhelm --- Hanson Duane --- Hausmann Raoul --- Henry Maurice --- Indiana Robert --- Iseli Rolf --- Itten Johannes --- Janco Marcel --- Johns Jasper --- Jones Allan --- Kalinowski H.E. --- Kienholz Edward --- Klein Yves --- Kosuth Joseph --- Lacey Bruce --- Lalanne Claude --- Mackenzie Robin --- Magnelli Alberto --- Malevich Kazimir --- Masson André --- Morris Robert --- Müller Robert --- Nevelson Louise --- Oldenburg Claes --- Oppenheim Meret --- Paalen Wolfgang --- Penrose Roland --- Picabia Francis --- Picasso Pablo --- Presset henri --- Ray Man --- Rauschenberg Robert --- Rosenquist James --- Rot Diter --- de Saint-Phalle Niki --- Samaras Lucas --- Schamberg Morton --- Schwitters Kurt --- Segal George --- Seligmann Kurt --- Severini Gino --- Spoerri Daniel --- Stenvert Curt --- Tanning Dorothea --- Tapiès Antoni --- Tinguely Jean --- Tumarkin Ygael --- Uecker Günther --- Ulrichs Timm --- Ultvedt P.O. --- Vostell Wolf --- Walther Franz Erhard --- Warhol Andy --- Weh Renate --- Wesselmann Tom --- Wewerka Stefan --- Le Yaouanc Alain --- Arp Hans --- 7.036 --- Art, Modern --- Found objects (Art) --- Ultvedt P.O --- Baargeld J.T --- Kalinowski H.E --- Found art --- Objects, Found (Art) --- Ready-mades (Art) --- Readymades (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists)
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sculpting --- Sculpture --- Paolini, Giulio --- Johns, Jasper --- Kounellis, Jannis --- Serra Güell, Eudaldo --- Christo --- Calder, Alexander --- Epstein, Jacob --- Diller, Burgoyne --- Flavin, Dan --- Long, Richard --- Domela, César --- Takis --- Arman --- Jacobsen, Robert --- Gargallo, Pablo --- Derain, André --- Balla, Giacomo --- Nevelson, Louise --- Morris, George Lovett Kingsland --- Rauschenberg, Robert --- Höch, Hannah --- Cornell, Joseph --- Kirchner, Ernst Ludwig --- Oppenheim, Meret --- Brancusi, Constantin --- Pepper, Beverly --- Artschwager, Richard --- Stella, Frank --- Andre, Carl --- Serra, Richard --- Depero, Fortunato --- Laurens, Henri --- Lebedev, Vladimir Vasilevich --- Picasso, Pablo --- Judd, Donald --- Buren, Daniel --- Smith, Tony --- Hausmann, Raoul --- Smithson, Robert --- Pevsner, Antoine --- Beuys, Joseph --- Va, le, Barry --- Moholy-Nagy, László --- Boccioni, Umberto --- Anselmo, Giovanni --- Baranov-Rossiné, Vladimir Davidovich --- Merz, Mario --- Manzoni, Piero --- Storrs, John --- Suvero, di, Mark --- Nadelman, Elie --- Duchamp, Marcel --- Pascali, Pino --- Zorio, Gilberto --- Leoncillo --- Archipenko, Alexander --- Tatlin, Vladimir --- Man Ray --- Gabo, Naum --- Gaudier-Brzeska, Henri --- Klyun, Iwan Wasilewitsch --- Segal, George --- Arp, Hans --- Chamberlain, John --- Tinguely, Jean --- Fontana, Lucio --- Stankiewicz, Richard --- Kelly, Ellsworth --- Servranckx, Victor --- Hepworth, Barbara --- Rodtschenko, Alexander Michajlowitsch --- Miró, Joan --- Rückriem, Ulrich --- Penone, Giuseppe --- de Oteiza, Jorge --- Chillida, Eduardo --- Moore, Henry --- Matisse, Henri --- Torres Garcia, Joaquin --- Nauman, Bruce --- Taeuber-Arp, Sophie Henriette Gertrud --- Caro, Anthony --- Lachaise, Gaston --- Schmidt-Rottluff, Karl --- Medoenezki, Konstantin Konstantinovitsj --- Smith, David --- Dubuffet, Jean --- Oldenburg, Claes --- César --- Kooning, de, Willem --- González, Julio --- Giacometti, Alberto --- Roszak, Theodore J. --- Peyrissac, Jean --- Kobro, Katarzyna --- LeWitt, Sol --- Ernst, Max --- Heizer, Michael --- Melotti, Fausto --- Hesse, Eva --- Peri, Laszlo --- Duchamp-Villon, Raymond --- Morris, Robert --- Gauguin, Paul --- Fabro, Luciano --- Noguchi, Isamu --- Maria, de, Walter --- Herbin, Auguste --- Cristófol, Leandre --- Colla, Ettore --- Schwitters, Kurt --- Lipchitz, Jacques --- Liberman, Alexander --- anno 1900-1999 --- "">73 "19" <09> --- Beeldhouwkunst. Sculptuur--20e eeuw. Periode 1900-1999--Geschiedenis van ... --- Beeldhouwkunst. Sculptuur--20e eeuw. Periode 1900-1999--Geschiedenis van ..."">73 "19" <09> Beeldhouwkunst. Sculptuur--20e eeuw. Periode 1900-1999--Geschiedenis van ... --- Le Va, Barry --- Oteiza, de, Jorge --- Torres García, Joaquín --- Beeldhouwkunst. Sculptuur--20e eeuw. Periode 1900-1999--Geschiedenis van .. --- Beeldhouwkunst. Sculptuur--20e eeuw. Periode 1900-1999--Geschiedenis van
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What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive range and history of American non-fiction filmmaking. Combining comprehensive overviews with in-depth case studies, Geiger maps American documentary's intricate histories, examining the impact of pre- and early cinema, travelogues, the avant-garde, 1930s social documentary, propaganda, direct cinema, postmodernism, and 'new' documentary. Offering detailed close analyses and fresh insights, this book provides students and scholars with a stimulating guide to American documentary, reminding us of its important place in cinema history. Key Features * Historical overview of major documentary forms and practices in the USA * Case studies, including Nanook of the North, The Plow that Broke the Plains, Grey Gardens, and Fahrenheit 9/11 * Analysis of critical debates relating to filmic representations of reality
Documentary films --- National characteristics, American --- History. --- In motion pictures. --- United States --- Blacksmith Scene (Film) --- Blacksmith Scene (Motion picture) --- Buffalo Dance (Film) --- Buffalo Dance (Motion picture) --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Fahrenheit 9/11 (Film) --- Fahrenheit 9/11 (Motion picture) --- Grey Gardens (Film) --- Grey Gardens (Motion picture) --- Grey gardens (Film) --- Manhatta (Film) --- Manhatta (Motion picture) --- Memphis Belle, The (Film) --- Memphis Belle, The (Motion picture) --- Mess Call (Film) --- Mess Call (Motion picture) --- Mess call (Film) --- Nanook of the North (Film) --- Nanook of the North (Motion picture) --- National characteristics [American ] in motion pictures --- Plow that Broke the Plains, The (Film) --- Plow that Broke the Plains, The (Motion picture) --- Tongues Untied (Film) --- Tongues Untied (Motion picture) --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- film --- filmgeschiedenis --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- documentaire film --- Flaherty Robert --- Maysles Albert --- Maysles David --- film en propaganda --- experimentele film --- Léger Fernand --- Sheeler Charles --- Strand Paul --- Lorentz Pare --- Ivens Joris --- Capra Frank --- Steiner Ralph --- Van Dyke Willard --- Riefenstahl Leni --- Ford John --- Wyler William --- direct cinema --- Leacock Richard --- Pennebaker D.A. --- Wiseman Frederick --- Davis Peter --- Morris Robert --- Riggs Marlon T. --- McElwee Ross --- Moore Michael --- 791.43 --- National characteristics, American, in motion pictures. --- Documentaires --- Caractéristiques nationales américaines dans le cinéma --- History and criticism --- Histoire et critique --- Etats-Unis au cinéma --- National characteristics [American ] in literature --- Film --- National characteristics, American, in motion pictures --- Pennebaker D.A --- Riggs Marlon T --- Motion pictures --- Nonfiction films --- Nonstory films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Actualities (Motion pictures) --- History and criticism. --- United States of America --- Films documentaires --- Caractère national américain --- Nationalisme --- États-Unis
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